Perfect symmetry

“Auditorium”, así ha titulado el fotógrafo húngaro Zsolt Hlinka su último trabajo fotográfico. En él, pueden podemos pasear entre magníficos auditorios totalmente vacíos, siempre desde la óptica del artista. Ni público, ni músicos, sólo arquitectura desnuda. La verdad es que sin público ni artistas, la perfección de las líneas se ve mucho más clara.

La arquitectura es la protagonista, en su simétrico esplendor. El fotógrafo siempre vuelve a la simetría: “He construido mi serie alrededor de un tema que siempre ha sido el más fascinante para mí: la simetría”, confiesa en su página web.

“Auditorium”, this is how hungar photographer Zsolt Hlinka has called his last work. In his photo serie, we are able to wonder through amazing but totally empty theaters. Hlinka has chosen the artist’s optic, rather than the audience’s one. No music, no audience, just architecture. Actually, the perfection of the building comes out much more evident.

Architecture is the protagonist, whit its symmetric brilliance. The photographer always returns to symmetria:  “My Auditorium series has been built around a theme which always been among the most fascinating ones for me: symmetry”, confessed him in his website.

“Auditorium”, this is how hungar photographer Zsolt Hlinka has called his last work. In his photo serie, we are able to wonder through amazing but totally empty theaters. Hlinka has chosen the artist’s optic, rather than the audience’s one. No music, no audience, just architecture. Actually, the perfection of the building comes out much more evident.

Architecture is the protagonist, whit its symmetric brilliance. The photographer always returns to symmetria:  “My Auditorium series has been built around a theme which always been among the most fascinating ones for me: symmetry”, confessed him in his website.